Autorka: Nastassja Martin<\/p>\n\n\n\n
Re\u017eie: J\u00falia R\u00e1zusov\u00e1<\/p>\n\n\n\n
\u201eP\u00ed\u0161e\u0161 o medv\u011bdovi, o sob\u011b, nebo o n\u00e1s?\u201c<\/strong><\/p>\n\n\n\n Srpen 2015. Kam\u010datka. Antropolo\u017eka Nastassja Martin je p\u0159i v\u00fdzkumn\u00e9m putov\u00e1n\u00ed napadena medv\u011bdem. \u00datok p\u0159e\u017eije s v\u00e1\u017en\u00fdm zran\u011bn\u00edm \u010delisti. Zran\u011bn\u00fd medv\u011bd, kter\u00e9ho ude\u0159ila cep\u00ednem, ut\u00edk\u00e1 zp\u00e1tky do divo\u010diny.<\/p>\n\n\n\n Touto ud\u00e1lost\u00ed za\u010d\u00edn\u00e1 l\u00e9\u010debn\u00fd proces, o jeho\u017e prvn\u00edm roce pod\u00e1v\u00e1 Nastassja sv\u011bdectv\u00ed v autobiografick\u00e9 pr\u00f3ze V\u011b\u0159it v \u0161elmy. Popisuje v n\u011bm zacelov\u00e1n\u00ed r\u00e1ny, ale i sv\u00e9ho sv\u011bta, rozt\u0159\u00ed\u0161t\u011bn\u00e9ho mezi sope\u010dnou krajinou Kam\u010datky a takzvanou \u201ez\u00e1padn\u00ed civilizac\u00ed\u201c. Mimo\u0159\u00e1dn\u011b up\u0159\u00edmn\u00fd z\u00e1znam vnit\u0159n\u00edho boje je obhajobou zranitelnosti jako d\u016fle\u017eit\u00e9ho p\u0159edpokladu porozum\u011bn\u00ed a zkoum\u00e1n\u00edm toho, kde le\u017e\u00ed hranice \u201elidsk\u00e9ho\u201c.<\/p>\n\n\n\n Vzd\u00e1len\u00e9 domovy a odli\u0161n\u00e9 interpretace ud\u00e1lost\u00ed. Surre\u00e1ln\u00ed sv\u011bt rusk\u00e9ho zdravotnictv\u00ed a sterilita z\u00e1padn\u00edch nemocnic. Terapie. Pobyt s matkou i znovushled\u00e1n\u00ed s Eveny. Pro pochopen\u00ed st\u0159etu se \u0161elmou mus\u00ed Nastassja nav\u00e1zat dialog se sv\u00fdmi bl\u00edzk\u00fdmi, sv\u00fdm podv\u011bdom\u00edm a tak\u00e9 s krajinou medv\u011bda. Ve sv\u011btle v\u0161ech sv\u00fdch sv\u011bt\u016f je neodvratn\u011b kontaminov\u00e1na.<\/p>\n\n\n\n Proces vyrovn\u00e1n\u00ed se s traumatickou zku\u0161enost\u00ed nen\u00ed jen fyzickou rekonvalescenc\u00ed. Nastassjino t\u011blo se st\u00e1v\u00e1 polem pro politiku, m\u00edstem nepravd\u011bpodobn\u00fdch setk\u00e1n\u00ed. Na jej\u00ed \u010delisti vede z\u00e1padn\u00ed chirurgie dialog se sibi\u0159sk\u00fdm medv\u011bdem. Nastassja proch\u00e1z\u00ed zkou\u0161kou d\u016fv\u011bry v\u016f\u010di rusk\u00e9mu implant\u00e1tu i v\u016f\u010di z\u00e1padn\u00ed psychologick\u00e9 p\u00e9\u010di. Tv\u00e1\u0159 poznamenan\u00e1 jin\u00fdm, zm\u011bn\u011bn\u00e1 k nepozn\u00e1n\u00ed, otev\u00edr\u00e1 cestu k vnit\u0159n\u00ed prom\u011bn\u011b a hled\u00e1n\u00ed meziprostoru. Jak p\u0159ekl\u00e1dat zku\u0161enost transformativn\u00edho st\u0159etu s jinakost\u00ed do rodn\u00e9ho jazyka a kontextu? Jak\u00e9 jsou hranice mezi antropologick\u00fdm v\u00fdzkumem a ka\u017edodenn\u00edmi identitami a vztahy?<\/p>\n\n\n\n Francouzsk\u00e1 antropolo\u017eka a spisovatelka Nastassja Martin (1986) se ve sv\u00e9 v\u00fdzkumn\u00e9 pr\u00e1ci zam\u011b\u0159uje na seversk\u00e9 kultury, pob\u00fdvala nap\u0159\u00edklad na Alja\u0161ce a Kam\u010datce. Zab\u00fdv\u00e1 se p\u0159ekl\u00e1d\u00e1n\u00edm mezi my\u0161len\u00edm a vn\u00edm\u00e1n\u00edm z\u00e1padn\u00edho sv\u011bta a animistickou prax\u00ed n\u00e1rod\u016f \u017eij\u00edc\u00edch v p\u0159\u00edm\u00e9 z\u00e1vislosti na sv\u00e9m okol\u00ed. \u201eKdy\u017e zmizela elekt\u0159ina, vr\u00e1til se sv\u011bt duch\u016f,\u201c tak ve V\u011b\u0159it \u0161elmy popisuje Nastassjina evensk\u00e1 p\u0159\u00edtelkyn\u011b Darja kolaps Sov\u011btsk\u00e9ho svazu. Svou praxi poj\u00edm\u00e1 Martin mezioborov\u011b. Jako antropolo\u017eka se nepova\u017euje za nestrannou nositelku \u201eobjektivity\u201c a za posl\u00e1n\u00ed antropologie pova\u017euje d\u00e1vat hlas r\u016fzn\u00fdm zp\u016fsob\u016fm byt\u00ed ve sv\u011bt\u011b a ukazovat jejich politick\u00fd obsah.<\/p>\n\n\n\n Sezona 49: Konec iluz\u00ed<\/strong><\/p>\n\n\n\n <\/p>\n\n\n\n Zdroj: HaDivadlo<\/p>\n\n\n\n Foto \u00a9 David Kone\u010dn\u00fd<\/p>\n","protected":false},"excerpt":{"rendered":" HaDivadlo <\/p>\n Srpen 2015. Kam\u010datka. Antropolo\u017eka Nastassja Martin je p\u0159i v\u00fdzkumn\u00e9m putov\u00e1n\u00ed napadena medv\u011bdem\u2026 Mimo\u0159\u00e1dn\u011b up\u0159\u00edmn\u00fd z\u00e1znam vnit\u0159n\u00edho boje je obhajobou zranitelnosti, d\u016fle\u017eit\u00e9ho p\u0159edpokladu porozum\u011bn\u00ed, ale taky zkoum\u00e1n\u00edm toho, kde le\u017e\u00ed hranice \u201elidsk\u00e9ho\u201c.<\/p>\n","protected":false},"featured_media":29688,"parent":0,"template":"","zarazeni":[58],"class_list":["post-29695","kultura","type-kultura","status-publish","has-post-thumbnail","hentry","zarazeni-archiv-akci"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/kultura\/29695","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/kultura"}],"about":[{"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/types\/kultura"}],"version-history":[{"count":3,"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/kultura\/29695\/revisions"}],"predecessor-version":[{"id":30394,"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/kultura\/29695\/revisions\/30394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/media\/29688"}],"wp:attachment":[{"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/media?parent=29695"}],"wp:term":[{"taxonomy":"zarazeni","embeddable":true,"href":"https:\/\/www.afbrno.cz\/fr\/wp-json\/wp\/v2\/zarazeni?post=29695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}